Interviews & Opinion

XR Indie Pitch Interview: The House Of Fables On Puzzles, Toy Trains And Virtual Rides In Trains VR

XR Indie Pitch Interview: The House Of Fables On Puzzles, Toy Trains And Virtual Rides In Trains VR

Our XR Indie Pitch competitions are getting bigger as we bring them to events all across the world, such as London, San Francisco and Helsinki. To give you an idea of what the events are like, who takes part and the games they show, we've asked some previous XR Indie Pitch contestants to share their views.

Today, we're speaking to The House of Fables' Adam Robaszyński-Janiec, who took third place prize in the XR Indie Pitch at XR Connects Helsinki this year with their game, Trains VR. He'll also be joining us in London in a few weeks to help judge The XR Indie Pitch at Pocket Gamer Connects London 2018


The Virtual Report: Tell us a little about yourself and your indie studio - who is in the team, and what are their inspirations?

Adam Robaszyński-Janiec: The House of Fables is made up of a bunch of hotheads and nerds. Currently we have 20 people in the team, of different ages, experience and hobbies. Girls, guys, seniors, beginners – you name it. But the one thing we all have in common is that pretty much all of us were regular gamers before we started our adventure. Different platforms, different genres, same passion for games.

Eventually this led us to where we are now – a reasonably large studio, working on both our own projects and helping other studios in their development process. This might sound a bit cheesy, but the truth is that, for a lot of us, working in this industry is simply a childhood fantasy come true.

VR/AR is an exciting adventure, and a world full of new opportunities that we, as game developers, are keen to explore.

Tell us about your latest project that you pitched at the competition.

We took our latest project to Helsinki – Trains VR. It’s a casual model railway puzzle game, where players can fulfill their childhood dream of not only constructing the most ingenious train routes, but also experiencing the thrill of riding along them as a locomotive driver.

Accompanied by beautiful toy-like graphics and logic puzzles, the title will guarantee many hours of creative fun for gamers of all ages. Plus one thing parents should really appreciate – you can have all that fun, but without the usual mess and lots of space at home, something they know all too well when it comes to their kids playing with model railways. 


How hard is it to survive as an Indie developer working in VR?

It’s still a fairly new branch of the industry, so it is indeed challenging at times. That’s why it’s important not to base your whole business model just on VR. At least this is what works pretty well for us. VR is only one element in all the projects we do. We mainly focus on premium casual HOPA games. We treat VR/AR as an exciting adventure, and a world full of new opportunities that we, as game developers, are keen to explore.

The chance to look at your game through the eyes of industry professionals, to listen to what they have to say about it will help you create a better game. That’s all that matters at the end of the day.

How did you find your experience pitching as a part of the VR Indie Pitch?

It was a fantastic opportunity and we’re happy we got the chance to be a part of it! Amazing atmosphere, great organisation, lots of cool people willing to share their thoughts and feedback about our game. That’s what we value the most.

You know, being a game developer, working on your game full time, sometimes you lose sight of the bigger picture. It’s like with parents and their kids – parents always think their kids are the greatest, but sometimes it’s not exactly true. That’s why it’s so important to have somebody you trust, to tell you that your kid is having some issues you need to deal with. And it works in exactly the same way with games. As a developer, you may think that this feature you’ve just designed is fantastic and your game is the best out there, just because it’s your game. You treat is personally.

That’s why events like the VR Indie Pitch are important. They give you the chance to look at your game through the eyes of other industry professionals, to listen to what they have to say about it. You may not agree with all their feedback, but critique like this will eventually help you create a better game. That’s all that matters at the end of the day. We’ll definitely be taking part in the Indie Pitch again!


What do you feel you have gained from the experience, and what do you still hope to gain?

The feedback we already mentioned, and also advice and opinions shared by the judges were the most important things for us. Honestly, the award we received this time is mainly thanks to the first round of game evaluation during our previous Indie Pitch. We listened carefully to what the judges had to say about our game, went back home, thought everything through, implemented changes based on that feedback, took part in the VR Indie Pitch again, and won! In our opinion this proves how helpful and important such industry meetings are.

What are your hopes for this game in the future and do you have any plans for any future projects?

Most of all, we hope that gamers of all ages will enjoy our game and spend many hours building their railways and enjoying the creative freedom the game gives them. We are not only planning to release the VR version, but an AR one too, and at some point in the future hopefully a mobile and PC version as well. Exciting times are ahead, so follow news from our studio so as not to miss the Trains VR launch date!



Want to show off your exciting new game? We host XR Indie Pitch events throughout the year, so be sure to keep an eye out on our events page for an event near you.


Upcoming XR Indie Pitches include:

Developer Evangelist & Big Indie Pitch Manager / Special Features Writer

Queen of all things Indie. Sophia is Steel Media’s Big Indie Pitch Manager and Developer Evangelist. She’s also a global speaker and lifelong gamer with a fanatical love of all things Nintendo and Japan. So much so that she’s written a thesis on one and lived in the other.